Last night, as I lay restless with insomnia, I considered an
excerpt from Anne Lamott’s “Bird by Bird:Some Instructions on Writing and Life,” and wondered how it applied to me.
“Writing has so much to give, so much to teach, so many surprises. That
thing you had to force yourself do—the
actual act of writing—turns
out to be the best part. It’s like discovering that while you thought you
needed the tea ceremony for the caffeine, what you really needed was the tea
ceremony.”
This piece is a beautiful sentiment. All that Anne Lamott
writes is beautiful—so gorgeous that I almost feel like I ought to give up this
craft because the light my writing provides is nothing compared to Anne’s shining
luminosity. I’ve felt what she describes here before, especially when I’ve written
intimate and deeply personal pieces that I never intend to show the world. Some
pieces are too personal to be exposed.
Recently, I wrote a short bit about one of my daughters. The
prose itself was under five hundred words, but the impact the writing process
had on me was profound. I had felt a deep unease, a suffocating tension like a
heart attack for the better part of an hour. My life is hectic, and when I hold
the child I pulled from my womb, after days of chaotic labor, and then placed
on my warm chest to discover she was a chubby faced, blued-eyed girl, I feel
like a part of my own spirit is there floating before me. At nearly three years
old, she possesses the features or her father, but still, to look at her, I see
myself. She lives joyfully, going with the flow when others would fight change.
I rarely hear the word “no” from her—that is unless I’m asking her if she
needs to use the potty—and when asking her if she’d like to join you in some
boring household chore, the answer is almost always “ummm, sure!” She is an
inspiration and reminds me that I should express my best traits. When I leave
her, I feel like someone has ripped that bright wisp, a spirit that was once a
part of my body, away from me.
In my heartache, I put a bright blue pen to paper, hoping to
relieve some of the pressure. I wrote a few sentences and suddenly, like the
failure of the New Orleans dams, water rushed from my eyes, the tears so hot
they nearly singed my cheeks. I continued to write, shooing my husband away
when he kindly offered his comfort. I continued to write, even though my tears blotted out words on the
cream-colored page, leaving circles of wet absence where once lay heartfelt
words.
When I finished, I sat back and cried a while more. It
wasn’t that I was sad; it was that I had just experienced one of the most
cathartic experiences of my life. The pain
in my chest was gone. I had taken the tumultuous emotions that had before
burdened me, distracted me, and plucked them from my mind to create a beautiful
piece of script.
But, although that writing of nonfiction experience was amazingly
enlightening, my heart still lies in fiction. So, last night, as I fitfully
turned to and fro, I wondered how this idea of Anne’s translates into fiction
authorship. I’ve certainly had this massive emotional occurrence reading fiction, but I’ve yet to have
this wildly intense experience in writing
fiction—and
that worried me. Now, I’ve definitely had a lot of fun, and I’ve been plagued
with sadness over a character’s own turmoil but instead of weeping for them, I
feel empowered and terrifically excited during the writing process.
Am I a sadist? I would feel terrible if there were some sort of Harold Crick/Stranger than Fiction thing going on here. No, I’m not a sadist; I just love the act of telling a story. It’s okay that there are sorrowful trials, because in the end, the story coming together in that one final moment is all that counts. It is the crafting of these tales that gets me going and fulfills me, but why?
Why is the act of writing a work of fiction so cathartic for
me? Why do I feel compelled to do so? I have pondered this question for years,
and even more intensely with my current project. I ask myself why I love
fiction when I do laundry, when I’m driving into town, and, of course, when I
reach for a book from my shelf. The only answer I can fathom is that
I love to entertain, I love to be entertained, and I love the idea of something
strange and new. This answer, however, does not completely fulfill my question.
I still feel like looking for the answer.
And maybe that is why I write! Maybe that is why I need the tea ceremony—to create stories so that I might search through these outlandish tales to find myself!
* Update: So, I ended up posting that piece about my daughter for a blog swap. If you are interested, you can find it here.
And maybe that is why I write! Maybe that is why I need the tea ceremony—to create stories so that I might search through these outlandish tales to find myself!
* Update: So, I ended up posting that piece about my daughter for a blog swap. If you are interested, you can find it here.
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